I do believe that us landscape photographers must surely be among some of the luckiest people in the world. Whether we shoot professionally or as a hobby, we get to immerse ourselves in nature, visit incredible locations (whether they are iconic ones, or lesser-known ‘hidden gems’) and capture the very essence of our beautiful planet.
For me though, one of the aspects of being a pro photographer that still brings me great pleasure is running photographic workshops. Although I spend more time editing the magazine these days than shooting or teaching, the trips I still do have become even more rewarding.
Each workshop brings new clients, all with different aims and ideas, but sharing one passion: to look beyond what they usually see. When we are at the learning stage, it is fairly easy to look for and discover a wide angle composition. However, to start seeing small extracts of landscapes, you really need to train yourself and adopt a kind of ‘tunnel vision’. Pointing out interesting compositions to clients, enabling them to create their interpretation of a viewpoint in camera and seeing their faces when they capture it is a wonderful feeling.
The best advice I can offer to photographers who don’t have a tutor standing beside them on location is to pay attention to your surroundings. Really take time to scan the landscape, don’t be afraid to experiment and use that other lens – you know, the one you hardly ever use, the 70-300mm one. Believe me, once you start looking, you will be amazed at the opportunities you will start to uncover.
Dimitri Vasileiou, Editor of LPM firstname.lastname@example.org
A trip to the Trotternish Ridge on the Isle of Skye did not take Alister Benn long to get to, but it gave him time to reflect on the topic of creative epiphanies. He shares his thoughts in this month’s article
Chris Hendren has had a lifelong fascination with the stars which has become a bit of a photographic obsession. Here he explains why after all the heavy equipment he used so far, he now enjoys a lightweight system