Issue 75 • May 2017

In conversation Doug Chinnery

In conversation… Doug Chinnery

Unlike many landscape photographers, Doug Chinnery isn’t a fan of image sharpness or pre-visualisation. Interview by Kieth Wilson

Cordillera Huayhuash

Cordillera Huayhuash

Towering mountains, thunderstorms, lakes, rivers and landscapes dripping with breathtaking light. Joshua Cripps shares with us his extraordinary adventure.

The Digital Print by Jeff Schewe

Book Review: The Digital Print

Editing digital photographs is one of the most complex aspects of landscape photography. Here, David Hay reviews Jeff Schewe’s new book on how to get…

Photographing Sweet Chestnut Trees

In the latest edition of her series on photographing trees, Lizzie Shepherd looks at the photogenic sweet chestnut tree and reports on its photogenic nature

Photographing Arrowleaf Balsamroot

Photographing Arrowleaf Balsamroot

Arrowleaf Balsamroot are a stunning reminder of the beauty of spring in Eastern Washington. Trevor Anderson shares the ins and outs on how to photograph these beautiful wild flowers

Negative Space For Positive Impact

Negative Space For Positive Impact

Do you always try to cram as much content into your pictures as possible? Andy Brown offers advice on how to incorporate negative space…

The Magnificent Kharta Valley

The Magnificent Kharta Valley

The Kharta Valley has some of the world’s greatest views. In this article, Alister Benn gives an inspiring account of his visit, and offers pointers…

A Photograph into the Photograph

A Photograph into the Photograph

Do you take lots of photographs, hoping one of them will turn out well? Rafael Rojas encourages you to take a step back and to spend time thinking…

Magnetic Locations

Magnetic Locations

David Hay reminds us to consider the impact we might be having on others, their property and the environment, while we seek to photograph our versions of the iconic locations we admire

Abstraction Part IV

Abstraction Part IV

In this part of his series on abstract photographs, Alain Briot explains why we should suspend disbelief when viewing an abstract image and the effects this action could have on us, the viewer

Composition Techniques

Composition Techniques

We all need to know how to make our images compelling. Ian Plant discusses a number of composition techniques that can help you connect with the viewer both emotionally and visually