We keep the group small—just 12 people maximum—so we can move when we need to and adjust based on what’s actually happening with the weather and fall colors.

We start in Tokyo, then head straight to the Fuji Five Lakes for two days. This is where we focus on the mountain, reflections in calm water, fall colors in the foreground, and early mornings when visibility is best. We’ll work at multiple lakes depending on conditions.

Miyajima Island is next. Two days there gives us the floating torii gate, plus the less obvious stuff: forest trails, shrine details, evening light along the waterfront, and deer wandering through town. It’s slower-paced than Tokyo or Kyoto.

Kyoto gets four full days because there’s more to work with. Multiple temple districts, each with different character. Bamboo forests in Arashiyama. Traditional streets in Gion. Gardens that are best at different times of day. We’ll have enough time to revisit locations if the light wasn’t right the first time or if you want another crack at a composition.

Back to Tokyo for the final two days. By late November, the city parks are in full autumn color. You get a completely different look from what we shot at Fuji—urban environments, modern architecture, street scenes, and nighttime cityscapes.

Early starts when they matter. Flexibility to shift plans. Room to work at your own pace while staying with the group.